Death From Above: Heads Up! Is Now – Tickets – Wonder Ballroom – Portland, OR – October 31st, 2018

Death From Above: Heads Up! Is Now

Monqui Presents

Death From Above: Heads Up! Is Now

CRX

Wednesday October 31

Doors: 7:30 pm / Show: 8:30 pm

$25.00

This event is all ages

Death From Above
Death From Above
Motion predicates progression.

Death From Above certainly kept moving on their third full-length album, Outrage! Is Now (Last Gang Records/Warner Bros. Records). While gleefully maintaining the car-wreck intensity of their punkified disco rock, the hooks got hookier, the weirdness got weirder, and the wildness got, well, wilder. The mustached merchants of death dance discord—Sebastien Grainger (vocals, drums) and Jesse F. Keeler (bass, keys, synths)—made a collective decision to embrace their own penchant for perpetual motion and cooked up the perfect soundtrack to Armageddon’s dancefloor.

“By your third album, I feel like you should be trying different things, whether subconsciously or consciously,” exclaims Jesse. “You’ve got to stretch out the pizza dough of your idea and see how big you can make it creatively. After 17 years, things change. We both wanted to see how far we could take it as Death From Above. Once we started working on music, it seemed like this was going to be a record where the very idea of what our band is evolved.”

“The myth of what we should be didn’t exist anymore,” Sebastien agrees. “We didn’t say it out loud of course, but it was like, ‘Let’s flex our abilities as much as we can and make some weird shit.’ There was never a moment where we took a conventional path—either writing or recording. There was always some strange spice thrown in. It’s a grim record, but there’s a bounciness to it. We captured an element of fun.”

The lads actually began pondering what became Outrage! Is Now while in the midst of finishing their 2014 record, The Physical World. Marking a sweaty and triumphant return after a near 10-year studio hiatus, their sophomore outing would be met with critical applause from Rolling Stone, Los Angeles Times, Monster Children, Uncut, Alternative Press, and KERRANG! who awarded it a rare perfect score. It filled a void left in the aftermath of 2004’s disruptively influential You’re A Woman, I’m A Machine as Death From Above scorched the road alongside everyone from Deftones to Black Rebel Motorcycle Club and Eagles of Death Metal. The Physical World spawned fan favorites such as “Trainwreck 1979,” which generated an impressive 11.4 million Spotify streams to date and “Virgins” another to crack the 5-million mark. As they retreated to Jesse’s farm two hours east of Toronto to write in 2016, the musicians came to terms with adulthood as only two punks can.

“I think the band evolved because we’re evolving as individuals,” says Jesse. “I’ve changed. My life is nothing like it was in 2000. Back then, we lived in an old funeral home. Now, I own an old cemetery. We’re using the same amps though. I’m fucking 40-years-old. I’ve got two kids. I do totally normal dad stuff. I don’t need to let anyone know who I am through my music. I can just make art that I enjoy.”

Leave a Reply