ALO & Monophonics – Tickets – Wonder Ballroom – Portland, OR – February 9th, 2018

ALO & Monophonics

Monqui Presents

ALO & Monophonics

Friday February 9

Doors: 8:00 pm / Show: 9:00 pm

$21.00 - $26.00

This event is 21 and over

ALO
ALO
ALO is more than a band. It's a musical relationship that has endured for over two decades, with band members playing in numerous projects together and apart. Following the 2012 release of their freewheeling Sounds Like This, the band took time off to work on various side projects. Zach Gill (keys/vocals) toured the world with the band's college pal Jack Johnson; Dan "Lebo" Lebowitz (guitar/vocals) played shows with the Grateful Dead's Phil Lesh; Steve Adams (bass/vocals) toured and recorded with Nicki Bluhm & the Gramblers; Dave Brogan (drums/vocals) joined up with Utah band, Mokie. These and other endeavors have influenced the band's new album Tangle Of Time.

More than previous releases, Tangle Of Time really taps into what makes ALO unique. It's that special blend of classic songwriting and the ability to stretch out jams and distill dance floor grooves. It's heartfelt lyrics that make you smile, reflect and just want to sing along either way. It's four great musicians who all write and sing. And four friends who've been through a lot together and still support, challenge and inspire one another.   

Entering Allegiant Records in San Anselmo, California this past January with co-producer Dave Simon-Baker, the four members decided they'd take a different recording approach. Instead of spending pre-production days jamming and co-writing, each member brought in their own demos, roughly three dozen in total, for the group to listen to, pick apart and eventually whittle down to the 11 songs that make up Tangle Of Time. Once they narrowed their focus, they turned their attention to arrangements and production techniques. Songs were tightened up, layers made more experimental and the end results validated their new approach.

Lebo described the shared respect and admiration the band felt during the recording process this way: "There are four strong opinions in the room, but playing together for so long we've all become pretty good at the empathy thing at this point; we can be very Zen about it. We truly value being together at this point in our careers, and whatever we get from our solo and side gigs, no matter how much fun we have, it's not this."

That sort of maturity, the ability to take stock of your friends, loved ones, and collaborators, and truly appreciate them is certainly one of the cornerstones of Tangle Of Time. Lebo, Adams and Gill first started playing music together in middle school, and then with Brogan right after college. Somehow, these relationships have lasted, evolved and been made stronger every year. One can almost hear the group releasing a satisfied existential sigh throughout the album, finding acceptance, love and contentment with the world they've built.  

"I really appreciate the guys right now, more so than ever," Gill shared, excitedly adding, "Years ago the feeling was, 'I wanna get to my songs and see how they sound while we're all here', whereas now I'm rooting for everyone else's songs. It's great."

That approach of supporting each other's songs worked like a charm, capturing each member's distinct songwriting voice, while simultaneously expanding the notion of what an ALO song or album can be. Take for instance the one-two-punch of the synth-filled, spacey jam vehicle "The Ticket" and the pedal steel-driven easy-going happiness of "Simple Times". Although two ends of the sonic spectrum, both are classic Gill songs at their core but stretched wide and far by the band's collective effort.

Not to be outdone, Lebo's guitar epic "Undertow" is a song that practically begs to be stretched out live, with its swirling double guitar outro intoxicating the listener to such a degree that you might find yourself on the band's website, dreamily purchasing tickets for an entire run of shows just to see where the song ventures live. Lebo pairs this with "Push", a jaunty yet thoughtful number with a playful guitar riff that's basically the musical equivalent of joy.

"Not Old Yet" and "Keep On", Adams' contributions to the album, are also touchstones to the spirit of Tangle Of Time. The first is a light-hearted romp about keeping a positive perspective on life's long road of hurdles and surprises, while the second is an upbeat, forward-thinking sing-along with lines that could be the album's mantra: "Wherever this takes us, I know/That we've got each other, we've still got a long way to go."

Brogan's "Coast To Coast" is among the most intriguing songs on the record. He, along with co-writer buddy Ben Malan, came up with a layer-upon-layer soundscape consisting of beautifully esoteric textures. The funky but ominous track tells the surreal tale of a band on the run, with more ideas and energy than know-how. Brogan shared that the theme of "tangled time" materialized unexpectedly over the course of the sessions, elaborating: "There's a point where there is more behind you than ahead of you, and you realize that time becomes a limiting factor."

Put the record on your turntable, and you can clearly hear the band's excitement to get back on the road and explore these songs with their audience. Improvisation is a staple of what the band does, and as Adams stated: "Being in that unknown is such a great life lesson beyond just the music. For all the careful planning and preparing we do, being in the moment is really when it all matters."

The band is also planning new ways to expand the theatrical shenanigans that have become a fantastic complement to the live show. From confetti canons to 12-foot beach balls, pre-show skits to elaborate theme nights, bubble suits to a laser-shooting ukulele (yes, really)... ALO is always on the hunt for new and exciting ways to interact with fans to make their shows truly special. Gill, the band's head prankster, put it this way: "I want people to come to a show expecting to be engaged in a fun and creative way. When I see someone dancing or singing along or reaching out to hit a giant beach ball, I start playing to the dancer and at that point, it's really a circle of energy traveling back and forth from the stage. The larger theatrical concepts are ways of interacting with the audience on another level."     

On Tangle Of Time the band has reached that other level, and are ready to bring everyone along.
Monophonics
Monophonics
“One of the best live soul bands I have ever seen!” – Al Bell (Record producer,
songwriter, executive, and co-owner of legendary Stax Records)

Raised amid the rich musical culture and history of the San Francisco Bay Area,
Monophonics proudly carry the torch through the generations into today’s musical
landscape. Holding on to tradition, but by no means purists of any kind, they
play their own brand of music known as “Psychedelic Soul.” The 2012 release of Monophonics last album In Your Brain saw the band pulling influences from such acts as early Funkadelic, Sly and The Family Stone and the The Temptation's Norman Whitfield produced records. With the new album, Sound of Sinning (April 1, 2015 on Transistor Sound Records), the band has grown in all areas of record making and felt a need to explore other important influences.

While the group has come to cherish these inspirations, With Sound of
Sinning they started venturing beyond, to the groups that were inspiring those
soul acts to embrace the psychedelic sound of the 60's and 70's. Bands such as
The Zombies, The Beatles, Beach Boys and Pink Floyd. Even with the experimentation of new musical territory, they display the sound that people know and love about Monophonics. Touching on Northern soul, doo-wop, rock and roll,
Psych pop, and cinematic music, Monophonics show off their diversity while remaining true to their roots. Overall it's heartfelt music and old school vibes, without losing sight of the present. This is is music steeped in that timeless feeling when people could write and produce songs that you could listen to over and over again. Sound of Sinning was produced by Kelly Finnigan & Ian McDonald and recorded on an old Tascam eight-track 1/4” tape machine at Transistor Sound Studios in San Rafael, CA.

Monophonics is Austin Bohlman (Drums), Myles O’Mahony (Bass/Background
Vocals), Ian McDonald (Guitar/Background Vocals), Ryan Scott (Trumpet/Background Vocals/Percussion) & Kelly Finnigan (Keys/Lead Vocals) along with a rotating 2nd horn usually filled by Nadav Nirenberg (Trombone) from Ikebe Shakedown and Breakdown Brass.

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